Showing posts with label read outside your comfort zone challenge. Show all posts
Showing posts with label read outside your comfort zone challenge. Show all posts

February 9, 2012

"Read Outside Your Comfort Zone" Winner + Getting Somewhere Giveaway! (Canada only)

I've finally drawn the winner of my "Read Outside Your Comfort Zone" Challenge giveaway, and Random.org chose...



Congratulations, Stephanie! You'll get your choice of a book from the Book Depository worth up to $15 CAD.

And now for another giveaway... thanks to the author, I have a hardcover of Beth Neff's Getting Somewhere for a lucky reader to win! Sorry, international readers, but I'm going to have to restrict it to Canadian addresses only this time.

Here's a bit more about the book (you'll likely see it featured later on this year in my Psychtember event!):


"Four girls: dealer, junkie, recluse, thief.

Sarah, Jenna, Lauren, and Cassie may look like ordinary girls, but they’re not. They’re delinquents whose lives collide when they’re sent to an experimental juvenile detention program on a farm in the middle of nowhere. As the girls face up to the crimes they committed, three of them will heal the wounds of their pasts and discover strengths they never dreamed they had. And one, driven by a deep secret of her own, will seek to destroy everything they’ve all worked so hard for." (from Goodreads)


The rules:

- Entrants must be 13 years or older.
- Open ONLY to Canadian mailing addresses
- One entry per person
- Following and tweeting are not necessary but always appreciated!
- Ends Feb. 23, at 11:59 pm EST.
- Winner will be selected randomly and contacted by e-mail

This contest is now closed.


January 19, 2012

Vampire Academy: Outside My Comfort Zone Review



Vampire Academy by Richelle Mead


Goodreads' description: "Vladimir’s Academy isn’t just any boarding school—it’s a hidden place where vampires are educated in the ways of magic and half-human teens train to protect them. Rose Hathaway is a Dhampir, a bodyguard for her best friend Lissa, a Moroi Vampire Princess. They’ve been on the run, but now they’re being dragged back to St. Vladimir’s—the very place where they’re most in danger...

Rose and Lissa become enmeshed in forbidden romance, the Academy’s ruthless social scene, and unspeakable nighttime rituals. But they must be careful lest the Strigoi—the world’s fiercest and most dangerous vampires—make Lissa one of them forever..."


Technically I read this one last year, even if I didn't get around to reviewing it until now, so I'm counting it towards last year's "Read Outside Your Comfort Zone" Challenge. (I'm not hosting this challenge this year, but I will still be trying to broaden my comfort zone boundaries a bit, so you'll probably see a few reviews like this throughout the year.)


Why is it outside my comfort zone? Vampires...something about the whole sucking-your-blood gorefest has me more than a little wary of this sub-genre of paranormal YA.


Did it win me over? Why or why not? Okay, I have to admit: I was wrong about this series! It's dramatic, very addicting, and so much fun. The parallels/allusions to mental health issues (depression, schizophrenia, addiction) were really fascinating, providing a connection to the 'real world' despite the fact that this is a book all about vampires. For someone with a psychology background like me, this added an extra layer of interest.


The characterization and world-building were solid, but I took some issue with the plot. This is one of those books where dribs and drabs of information are handed out to the reader as the story goes along, but it's information that the protagonist knows and is just withholding from the reader for the moment. I'm sorry, but that always feels like a bit of a trick to me. It was executed quite well here, but the device itself I personally find kind of annoying.

Best aspect? Difficult to pick! I enjoyed both the characterization and the world Richelle Mead has created.   


I liked seeing the bond that Rose and Lissa share, though I took issue with Rose purposefully using that connection without informing Lissa of it. I found Rose to be a complex character — immature in some ways, but I'm hoping to see her grow throughout the series. Her ethics are shaky, she uses guys and even her friends sometimes, she spreads rumours, and she's a tad too quick to judge people. She can be rude, abrasive, and dishonest when she wants to be. She acts (as she admits herself) recklessly and impulsively, and she often views the world in black and white...but she has some wonderful qualities too. She's extremely loyal and brave; she sticks up for what she thinks is right, but she'll admit when she's wrong (although it might take a bit.) She's tough, and very protective of Lissa.


Mead has laid out a solid foundation for the social strata of this world. Each group of beings has a clearly marked role in society to play — the Moroi to beget more Moroi, the dhampir guardians to defend the Moroi, the feeders to keep the Moroi sustained, the "blood whores" to be treated as deviant social pariahs, the Strigoi to threaten the Moroi. I think there's a lot of potential in the way the society is structured for interesting dynamics and interactions to occur between the different groups, and for the stereotypes of each group to be challenged.
 
If I could change something, I would... raise the stakes for the climactic scene — it wasn't exciting enough for me,
and the villain reveal in particular was somewhat disappointing. The whole thing ended up being less "epic" than I had anticipated (although I suppose considering it's a series the author wanted to start small.) 


Also, a couple of the tactics used by the villains were far-fetched and require a serious suspension of disbelief (spoilers, highlight to read: seriously, a *lust* charm? Couldn't Victor have incapacitated Rose and Dimitri in some less convoluted way, that didn't rely on Rose actually deciding to wear the necklace? It seems a bit obvious that this was an attempt by the author to get the chemistry between Rose and Dimitri happening. Also, Natalie rotting the bench...how could she have had any idea Rose would jump up on it? Unless she was spying on her? This is never properly explained.)

Just one more thing I want to mention:  I wasn't entirely on board with the Dimitri/Rose dynamic. Perhaps it was the age thing, but it felt a little weird to me. However, I liked that she'd found someone she wanted to be with in a romantic way, that she actually connected with emotionally rather than just physically, someone that she respected.

Would I read more like this book? Yes! I'm definitely continuing on with this series.

Quote:

 

He let go of my arm, looking disappointed, and ran a hand through his bronze-colored hair. Yeah. Not being able to hang out with him was a damned shame. I really would have to fix that someday. "Can't you ever get off for good behavior?" he joked.



I gave him what I hoped was a seductive smile as I found my seat. "Sure," I called over my shoulder. "If I was ever good."


Final verdict: 4 shooting stars.
I was really engrossed in this one!






Note: this book contains some violence, mature language, and sexual content.


November 8, 2011

Top Ten Tuesday: Books Outside My Comfort Zone


A Tapestry of WordsThis fabulous meme is hosted by The Broke and The Bookish, and this week's topic is books we read outside our comfort zone (regardless of whether or not we liked them). Seeing as I'm hosting the Read Outside Your Comfort Zone Challenge, how could I *not* participate in the Top Ten Tuesday this week?

(Psst...if you still want to sign up for my challenge, it's not too late! There will be a giveaway at the end of the year, and if you read and review even just one book outside your comfort zone, you can be entered! Note: you must sign up before Dec. 15 and have written a review for the challenge by the end of the year, in order to be entered in the giveaway.)

I'm splitting this into 5 books I've read, and 5 books that are on my potential list to read (for my challenge, although I don't stand a chance of reaching my goal of 20 books at this rate, LOL.)

Books I've read:


1.) Cloaked in Red by Vivian Vande Velde -- generally short stories just aren't my thing...they just seem so short! Usually right when I'm starting to get a feel for the world and characters, the story just ENDS. This Vivian Vande Velde collection wasn't bad, though, since they're a bunch of retellings of Little Red Riding Hood (which as a fairytale is short anyway, so I can live with that.)


2.) Song of the Sparrow by Lisa Ann Sandell - I'm not big on novels in verse, although admittedly I haven't read a lot of them. I loved the atmosphere in this one, though, just fantastic, and the main character Elaine manages to be innocent and still believable at the same time.


3.) The Host by Stephenie Meyer - I love fantasy, but I am very iffy about sci-fi. I like the less scientific versions of sci-fi, like time travel and dystopian societies. Aliens, robots, gadgets, space travel? Not so much. But I was surprised by how immersed I became in The Host...it's HUGE and I read it in less than 2 days, I think. Admittedly a lot of it was "soft" sci-fi...but there *were* aliens!


4.) Sunshine by Robin McKinley - Vampires. I don't like them very much. But the only character I really liked in this book was the vampire...go figure. Overall, though, I kind of loathed this book. If you want to know why, read my review!

5.) Rapunzel's Revenge by Shannon and Dean Hale - I haven't read a lot of graphic novels and I think I should try more of them out. This one was enjoyable enough, but didn't blow me away. The illustrations are phenomenal though!


Books I'm aiming to read:



1.) Vampire Academy by Richelle Mead - Yes, yes, I know, this series is awesome and I should read it. I will, don't worry! (I just don't know when, LOL. Hopefully before the year is up!)



2.) The Lightning Thief by Percy Jackson - a middle-grade read with a male protagonist: a double outside-my-comfort-zone whammy! I keep seeing this in the bookstores and going, "Oh yeah, I have to read that!" Everybody seems to love this series. 



3.) The Day Before by Lisa Schroeder - Ashley from Books from Bleh to Basically Amazing is always raving about this book, and I must admit I like the sound of the premise. So I should brave the free verse format and give it a try :)


4.) The Replacement by Brenna Yovanoff - another male protag book. I've heard good things and I actually own a copy, so really I have no excuse!



5.) Glow by Amy Kathleen Ryan - yep, it's set in space so it's definitely got some sci-fi to it, but I'm intrigued by the religious angle I've heard about.


What books are outside your comfort zone? Got any suggestions that fit in one of the categories listed above (boy protags, middle-grade, sci-fi, short stories, graphic novels, novels in verse, vampires)?



July 4, 2011

Cloaked in Red: Review


Cloaked in Red by Vivian Vande Velde, read for my "Read Outside Your Comfort Zone" Challenge

Amazon's description:
"So you think you know the story of Little Red Riding Hood, the girl with the unfortunate name and the inability to tell the difference between her grandmother and a member of a different species? Well, then, try your hand at answering these questions: Which character (not including Little Red herself) is the most fashion challenged? Who (not including the wolf) is the scariest? Who (not including Granny) is the most easily scared? Who is the strangest (notice we're not "not including" anyone, because they're all a little off.)? Who (no fair saying "the author") has stuffing for brains? Master storyteller Vivian Vande Velde crafts eight new stories involving one of the world's most beloved (and mixed-up) characters in literature. You may never look at fairy tales in quite the same way again."

Why is it outside my comfort zone? Short stories have never been my thing. Usually I've found that just as I've started to get a feel for the setting and characters, the story ends. Also, when I was younger I wasn't such a fan of the ambiguous or unsettling endings short stories frequently have...or perhaps I just read the wrong ones. Ray Bradbury's "The Veldt" creeped me out no end. Still, I thought fairy tale retellings might be a good way to get me more comfortable with short stories, since I'm a big fan of fairy tales.

Did it win me over? Why or why not? For the most part it did. I didn't like all the stories equally, but that would be rare. I loved the author's note, where she discussed why she wanted to rewrite the story of Little Red Riding Hood. I found it to be the most hilarious part of the whole book, actually, and she makes some astute points into the bargain. The story, if you think about it, doesn't make a whole lot of sense.

In terms of the actual retellings, my favourites were "Deems the Woodgatherer," "The Little Red Headache," and "Little Red Riding Hood's Little Red Riding Hood." I liked the fact that other fairy tales were incorporated into "Deems the Woodgatherer," and the author uses the character/audience knowledge discrepancy very well. We can all see what the nearsighted woodgatherer clearly cannot. "The Little Red Headache" was such a fun take on the story by portraying the (rather conscientious!) wolf's perspective on the events that transpire. And as for the last one — I don't know that I've ever empathized quite so much with an article of clothing before. What a Little Red Pain-In-The-Neck the cloak had to put up with!


I was less thrilled with "The Red Cloak," "Little Red Riding Hood's Family," and "Why Willy and His Brother Won't Ever Amount to Anything." The first was the retelling that stuck the closest to the original fairy tale, and I found it rather bland. "Little Red Riding Hood's Family" introduced a paranormal element towards the end that came out of nowhere. And Willy in the third one just seemed too dense for words (although I did like the twist about his identity at the very end!) 


As for "The Red Riding Hood Doll," I'm feeling kind of mixed about that one. Anything to do with dolls coming to life I find rather unsettling and creepy, but the psyche of the main character Georgette, and her need for a child, was interesting. And "Granny and the Wolf" I feel pretty ambivalent about — it was okay, but nothing special.

Best aspect? The different creative ideas the author used for giving the original fairy tale more depth and explanation. Sometimes the stories ended up veering rather far from the Little Red Riding Hood tale we all know, but they were a good deal more interesting, and often more logical!
 
If I could change something, I would... I might have had a few darker, more haunting or lyrical stories in there. Most of them are quite light-hearted and obviously intended to be spoof-like and humorous. Yet I didn't find any of them outrageously funny, although there were several mildly amusing ones that made me smile.


Just one more thing I want to mention:  I wanted a better sense of the time period/setting in each story; there wasn't much description given to ground them in a particular time and place.

Would I read more like this book? Sure. I didn't really mind the fact they were short stories because the tale of Little Red Riding Hood itself is quite short, so it worked. I did try to pace myself with them, spreading them out, but even so midway through I did start feeling tired of reading variations on the same story, so I wouldn't recommend reading it all in one go. Perhaps a collection of short stories by several authors might be easier to read in fewer sittings, since each author would have such a different writing style.

Quote:





If the wolf hadn't had such a deeply held moral belief system, he could have convinced himself that by leaving the basket behind, the girl had forsaken her rights to it. But, instead, he picked up the basket in his teeth, then loped through the trees, following the trails of wailing, crushed forest vegetation and human scent.



Final verdict: 3.5 shooting stars. Enjoyable enough, but these retellings didn't blow me away.




If you haven't signed up yet for the "Read Outside Your Comfort Zone" challenge and would like to, you can learn more about it and fill out the form HERE


June 21, 2011

Song of the Sparrow: Review



Song of the Sparrow by Lisa Ann Sandell, read for my "Read Outside Your Comfort Zone" Challenge

  
Goodreads' description:

"Since the days of King Arthur, there have been poems and paintings created in her name. She is Elaine of Ascolat, the Lady of Shalott, and now there is a book all her own. The year is 490 A.D. and 16-year-old Elaine has a temperament to match her fiery red hair. Living on a military base with her father, brothers, and the rest of Arthur's army, Elaine pines for the handsome Lancelot, and longs for a female friend. But when the cruel, beautiful Gwynivere arrives, Elaine is confronted with startling emotions of jealousy and rivalry. Can Elaine find the strength to survive the birth of a kingdom?"

Why is it outside my comfort zone? I've never been a big fan of novels in verse, but I don't think I've given enough of them a try...hence why I'm reading some for this challenge!

Did it win me over? Why or why not? Yes, it definitely did. I actually found myself really enjoying Song of the Sparrow. The writing is so atmospheric, and even the fact that it's written in verse works quite well given the medieval setting, especially with the nod to the Lady of Shalott poem.

It's fun to see how the author incorporated the various Arthurian figures and stories. I always thought Lancelot was pretty much a jerk (come on, he continually messes with Arthur) so I was glad to see him get some comeuppance in this version. I also loved how Sandell tied in that iconic scene from Tennyson's poem "The Lady of Shalott" — the riverboat one replicated in Anne of Green Gables — with her own plot.

I never liked the version of Tristan and Isolde I read (by Gottfried von Strassburg); I studied it in university and thought both Tristan and Isolde were immature and irresponsible, and so instead I just felt sorry for poor King Mark. However, I definitely prefer Sandell's version of Tristan, one who has already experienced the Tristan-and-Isolde love affair. We see him as a young man who's been burnt by love and is now wary of it. Hearing the Tristan/Isolde story after the fact (as Tristan tells it to Elaine) allowed me to respect Tristan's character a lot more and actually sympathize with him.

Best aspect? The expressive writing and richly vivid description that makes you feel like you're really there with Elaine. From lush forest scenery to the rough, dirty tone of the Saxon camp, it's sensuous and vibrant.  

I also liked Elaine as a character — yes, she's girlishly naive at the beginning, but it's the kind of innocence that feels real. And I admired her resourcefulness and her ease in the wild, contrasted sharply with Gwynivere's fashionable style and self-important manner. We can spot Elaine's romantic relationship coming a mile off, but seeing her sort out her feelings and realize the difference between an infatuated crush and a love forged from friendship is rewarding. So too is seeing all the different types of relationships Elaine has with the various members of the camp — her relationship with her brother Lavain is fraught with tension from a horrifying shared memory; she has an easy friendship with Tristan that she undervalues; Morgan teaches and mentors her; she continually longs for Lancelot's attention. Perhaps the lessons Elaine learns over the course of the story are a little obvious — and there are a few oh-so-sappy lines towards the end — but overall the emotions are handled with a light, poetic touch.

If I could change something, I would... I'd flesh out Gwynivere's character. I got the impression we were supposed to see her personality change as character development, but it was too quick for me and ended up feeling more like an odd Jekyll-and-Hyde arrangement instead. She is portrayed as such a cold, snooty "ice queen" type at the beginning that I didn't find her "growth" to be believable. Sandell sets us up for one Gwynivere and then gives us another, and that didn't work for me; her later actions just don't fit with the Gwynivere we've come to expect. Spoilery details, highlight to read: Would she really have had the stamina, determination and chutzpah to slog through rough conditions for days on ending, following Elaine? And all so sneakily that Elaine doesn't see her? I doubt it. 



I also had to suspend a bit of disbelief when it came to the climactic scenes. Spoiler: the girls managing to escape so easily from the Saxon camp was a bit much for me. Granted, they're quick-witted (and quick-footed, too) but I found it difficult to believe the Saxons could be fooled with quite so simple a distraction. And Gwynivere being the one to save Elaine worked out a little too perfectly, especially considering I didn't think Gwynivere would have paid enough attention to figure out which herbs were needed.

Just one more thing I want to mention: the first 3/4s of the book are pretty slow-moving. I didn't mind this much, although I did find myself wanting to flip ahead to find out what happens. The slow pace does allow the reader to get to know Elaine and her role in the camp, and shows off the beautiful writing style, but admittedly there isn't a lot of action.

Would I read more like this book?
Yes, certainly. I was surprised at how this book drew me in. I hadn't read anything medieval in a while and this got me right into the mood for it.

Quote:




The scent of blood rides high

on the wind,
with its traces of cold, black iron,
rotted earth, dying flesh,
and I stagger backward
as the smell, pungent
and terrible, fills my nostrils.
It stings and brings
tears to my eyes.
         I hate this rank stench. 


Final verdict: 4 shooting stars.

 


If you haven't signed up yet for the "Read Outside Your Comfort Zone" challenge and would like to, you can learn more about it and fill out the form HERE


June 4, 2011

The Host: Review (Adult)


The Host by Stephenie Meyer, read for my "Read Outside Your Comfort Zone" Challenge

Goodreads' description:

"Melanie Stryder refuses to fade away. Our world has been invaded by an unseen enemy. Humans become hosts for these invaders, their minds taken over while their bodies remain intact and continue their lives apparently unchanged. Most of humanity has succumbed. 

When Melanie, one of the few remaining "wild" humans, is captured, she is certain it is her end. Wanderer, the invading "soul" who has been given Melanie's body, was warned about the challenges of living inside a human: the overwhelming emotions, the glut of senses, the too-vivid memories. But there was one difficulty Wanderer didn't expect: the former tenant of her body refusing to relinquish possession of her mind. 


Wanderer probes Melanie's thoughts, hoping to discover the whereabouts of the remaining human resistance. Instead, Melanie fills Wanderer's mind with visions of the man Melanie loves - Jared, a human who still lives in hiding. Unable to separate herself from her body's desires, Wanderer begins to yearn for a man she has been tasked with exposing. When outside forces make Wanderer and Melanie unwilling allies, they set off on a dangerous and uncertain search for the man they both love."
Why is it outside my comfort zone? By and large, I'm not a fan of traditional sci-fi. Aliens, super advanced technology and death rays just don't do it for me. I do enjoy sci-fi aspects that are less "science-y," such as time travel and dystopian societies. But The Host came up when I asked you guys for recommendations for this challenge, and I thought the premise sounded promising. Plus I thought I might be able to get past the sci-fi stuff since the love story was an important part of it.

Did it win me over? Why or why not? Oh yes, it did. I got fully sucked into Wanderer's story and the world Meyer creates in The Host.

Admittedly, it's pretty slow-moving, especially at the beginning. It clocks in at a monstrous 600+ pages and frankly, I was intimidated. I'm betting you could knock someone out stone cold with a book this thick and heavy. But after a little while I was devouring it eagerly; whenever I put it down soon enough I would be picking it right back up again. I think I read it in about a day and a half or so, so you can imagine how fiercely I was engrossed in it.

The style took some getting used to, as at first it's difficult to tell sometimes if it is Wanderer's emotions or Melanie's that we are being told about. They are two personalities sharing a body, after all, and perhaps that was intentional to get the reader to experience Wanderer's confusion and frustration. 

The conflict that occurs at first between Wanderer and Jared is very believable, but I must say I never really bought Wanderer's romantic feelings towards him, especially after they've met. Sure, it makes sense that Melanie's emotions leak over to Wanderer when he's just a face in her memory, and okay, they've got physical chemistry that Wanderer has no control over. But when he treats her the way he does and she claims she can't help still loving him? I just wasn't feeling it. I also thought that once Jared finally smartened up in how he acted towards Wanderer, his personality became less defined or distinguishable from Ian's. What remains constant about Jared, however, is the clear bond and deep emotion he feels for Melanie, and his unwavering resolve to get her back.

Ian, however...now, that relationship I could get behind. That one I actually saw coming from quite a ways off, because he was so sweet and protective of Wanderer when hardly anyone else seemed to care. I love that he sees her for who she truly is, the personality behind the body that isn't really hers. He is a little possessive of Wanderer at times, especially when he risks losing her, but not to the same extent as a certain other guy Meyer has written about. The fact that Melanie dislikes him really complicates matters in a sometimes-amusing, sometimes-frustrating way. 

Hard-core sci-fi fans will likely be disappointed by those elements in this novel. The scientific basis behind these parasitic souls and their invasion of Earth? Not very plausible. The other worlds that Wanderer has lived on in other bodies? Pretty fantastical (there are even Dragons mentioned). But this really didn't bother me much, because as I've said, the really scientific stuff tends to scare me off. Actually, I enjoyed the vibrant creativity of these other worlds we hear about, since the one Wanderer is experiencing is usually dark and hard and gritty. (Like, literally — a lot of the book is spent in a huge labyrinth of caves).

Best aspect? Wanderer's personal journey: she begins as a cold, inhuman soul and grows to belong in a community with her own unique, distinct identity. I liked her character right from the beginning; she has such an amazing sense of justice and self-sacrifice, as well as a subtly dry wit. She's a strong character that you can respect because she has such good intentions (and she's a pacifist, innately averse to violence, which really made her character stand out from the others). It was a treat to watch the community that originally held her prisoner begin to see her as one of their own, and Wanderer to begin making emotional connections.

And I loved the way that her relationship with Melanie changes over time. They start out despising and loathing each other, and yet they are forced to rely on each other which brings them closer together. The conflict inherent in a parasitic situation is tempered by the bonds that grow between these two minds in their shared body. Wanderer's relationship with Jamie was nice to see as well — not as dynamic as the one with Melanie, but it was pure and innocent in a way that only a friendship with a trusting, unsuspicious, unjaded child can be.

If I could change something, I would... well, I never felt like I got to know Melanie's character all that well, despite the fact she's often in Wanderer's head. Or perhaps I just didn't like the aspects I did see of her — in comparison to Wanderer she just seemed much more single-minded, at least throughout most of the book: she only cared about Jared and Jamie. And there were certain times I thought she should have been more vocal, that it didn't make sense she wasn't voicing her opinion on events, since she sees and hears everything Wanderer does. 

I did find the writing to be overly dramatic in a few places, particularly with some of the dialogue. Melanie's character seemed to often react in an over-the-top way, perhaps written as such in an attempt to contrast sharply with Wanderer's more measured responses. Also, it is rather dense and wordy (given the page count, this shouldn't be surprising), and I thought the sentence structure could use some variety in places to give it a smoother, less choppy flow. Keep in mind, though, that it is an adult novel, and generally speaking they are slower and wordier than YA novels, resulting in less rapid-fire reading.

Just one more thing I want to mention: I felt very conflicted about the ending. At the heart of this book is a dilemma that I'm not sure could have been resolved in any way that would have satisfied me entirely. I felt like perhaps the author was giving the reader what she thought they wanted, rather than going for a harder but potentially more powerful ending. However, I'm not sure that I would have been completely happy with the alternative. Very spoilery, highlight to read: I was surprised when I thought Meyer was going for the darker means of resolving the dilemma, with Wanderer's death. It seemed sad but fitting, and I sympathized with Wanderer's desire not to leech off of anyone else again. So to have that flipped on its head as Wanderer wakes up to realize she's been put into a beautiful body and can have everything she truly wanted was a bit too much 'wish fulfillment' for my style, leaving me feeling like Meyer was taking the easy way out. (And that's not even getting into how convenient it is for them to bump into another group of rebels at the very end). However, I was happy for Wanderer's sake that she got to have a future, since I liked her character so much and I was indeed disappointed when I finished the book and my adventure with her was over.

Would I read more like this book? For sure — although perhaps they could be a little shorter! The premise of a parasitic relationship is so simple, yet offers so much for the author to work with. But what ensnared me was the personal side of it, as Wanderer discovers who she is and where she belongs — and I would certainly go for that a second time, whether or not it's sci-fi.

Final verdict: 4.5 shooting stars. I took off half a star, mostly for the issue I had with the ending, but I would probably award the reading experience itself 5 stars, because I was so caught up in it.
 

Don't: read if you are expecting a hard-core, scientifically valid alien invasion book.
Do: read if you enjoy psychology, character growth, ethical dilemmas, and a love triangle (rectangle?) like you've never seen before.


Don't: judge it by the Twilight series. Seriously, don't.
Do: give it a try, even if it's outside your comfort zone!


If you haven't signed up yet for the "Read Outside Your Comfort Zone" challenge and would like to, you can learn more about it and fill out the form HERE. 

April 29, 2011

Purple Daze: Review


Purple Daze by Sherry Shahan, read for my "Read Outside Your Comfort Zone" Challenge, and also for the YA Historical Fiction Challenge I'm participating in. (Thanks to the author for providing a few photos to accompany this review!)

Goodreads' description:

"Purple Daze is a young adult novel set in suburban Los Angeles in 1965. Six high school students share their experiences and feelings in interconnected free verse and traditional poems about war, feminism, riots, love, racism, rock 'n' roll, high school, and friendship.

Although there have been verse novels published recently, none explore the changing and volatile 1960's in America-- a time when young people drove a cultural and political revolution. With themes like the costs and casualties of war, the consequences of sex, and the complex relationships between teens, their peers, and their parents, this story is still as relevant today as it was 45 years ago."

Why is it outside my comfort zone? I've tried a few novels in verse before but never really got into them... I'm not too sure why, perhaps because they're often more sparse and lacking in details than standard novels. I think the few I've read have also been rather emotionally dark and dealt with depressing subject matter. I've never heard of a novel in verse set in the '60s before, though (actually, just generally I think it's a gap in YA fiction) so that particularly interested me about Purple Daze.

Did it win me over? Why or why not? For the most part, yes. It took me a little bit to get into Purple Daze, since there are six main characters, and we jump back and forth between each teen's perspective. I found it difficult to distinguish between each of them at first, but after a while I started getting to know them better. I really enjoyed the letters sent from Phil to Cheryl in particular; I felt that of the characters Phil felt the most real and his voice the most authentic. (It turns out the author based his letters on actual letters she received from an acquaintance serving in Vietnam, so no wonder!)

An actual letter from the author's friend in Vietnam.

Despite the fact that there's no central threat (other than the general threat of the war in Vietnam), and thus not really a driving, overarching plot/storyline, the tone and characters are engaging. Instead of a linear progression, we are just given glimpses into brief moments of 1965 for each teen. I had worried at first that I might have to push through this one, but I found myself getting quite caught up in it and nearing the end sooner than I would have expected.

We do see more of some characters' viewpoints (Phil, Mickey, and Cheryl, I thought) than the others (Nancy, Ziggy and Don). I would have liked a few more excerpts from the characters who were given less screen time, since they remained kind of elusive in my mind's eye. I know there were a lot of subplots hinted at (especially involving Ziggy) but because we're only given snippets from each perspective, I was left a little confused about what was going on with some of the characters. There were a few more dots that could have been connected to make their stories more clear and cohesive.

Best aspect? The atmosphere created by Shahan's writing. It's exceptionally evocative of the '60s era, and the richness and boldness of the characters' voices leaps off the pages.

The slang in this book is groovy. Neato, cool beans, hip – can I be any plainer? In other words, it was far out. (Sorry, but how many opportunities will I get to use '60s jargon in a review? Precious few.) 

And I really enjoyed the deepening friendship between Cheryl and Phil, which we see almost exclusively through Phil's letters to her from Vietnam. I did wish that we could see some of her letters back to him (and to her other friend, Mickey) but at the same time, it was fun to pick up on the hints through Phil's letters alone and have to guess about what Cheryl had written. Phil's personality really shone through in his letters, both his tough exterior and glimpses of a more sensitive side in his respect for Cheryl, and his gratitude to her for keeping up with the correspondence. Also interesting is Phil's changing relationship with the war, beginning with optimism, turning quickly to discomfort and disillusionment, and then to a harder cynicism towards the end.

The "real" Phil, in Vietnam.

If I could change something, I would... Change the 'current events' sections, as I didn't think they connected that well with the characters' stories. There were segments every so often that discussed the current events of the time, in paragraph form. While these were informative, I found myself wanting to skim or skip over them and get back to the "real" story of the six teens. They just felt too dry and textbook-like to really engage me, and broke the flow of the narratives.

Also, a glossary of '60s-specific terms would have been helpful. Some of it was understandable from context, but there were a few times that the slang or other references would go right over my head.

Just one more thing I want to mention: I was actually quite disappointed that we don't get more closure with each teen's story. I liked that it chronicled exactly one year in the life of these six individuals, and that the format of the ending mirrors the beginning, but I was left wanting to know more about how each character turns out (especially given the hints of a Cheryl/Phil dynamic). I really wanted to see a reunion of the six at the end!

Would I read more like this book? Yep, I think so. The verse format didn't actually pose as much of a problem for me as I thought it might, once I got used to it. I thoroughly enjoyed the spot-on '60s vibe I got from Purple Daze, and while I would have appreciated more plot than we're given and a centralized storyline, I do think that a novel in verse can pull off a story through "snapshots" of characters' lives more effectively than a novel of standard prose would be able to.

Final verdict: 3 shooting stars. It was difficult for me to rate this one because I don't really have much to compare it to, having not reviewed any other novels in verse yet, so I am ranking it overall. Compared just to other novels in the same format, though, I expect my rating might be a bit higher. 


Recommend for: both those who lived through the "flower power" era, and those who wish they had experienced it! Note: there is a fair bit of mature language and content in here, so I'd only recommend this one for older YA readers.

Author's website: http://www.sherryshahan.com/


The author then (high school yearbook).
The author now.

Disclaimer: I received this book for review from the author/publisher.

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