Cross My Palm: YA Fantasy

This is a series of posts I'm doing discussing current trends in YA genres and what might be in store for the future. This is just based on my own observations of books and what I've seen publishers/authors/other bloggers talking about.


Sorry it's been so long since the last post in this series! You can catch up on all the previous posts here (contemporary, sci-fi/dystopian, historical, and paranormal YA have already been covered), but this time it's YA fantasy trends.

• Time travel is the next "hot" topic. I think time travel stories hold a lot of potential for creativity — and apparently publishers think so too, with offerings such as the Hourglass series by Myra McEntire, the Ruby Red series by Kerstin Gier, the River of Time series by Lisa Bergren, and Tempest by Julie Cross. Not always "fantasy" in the strictest sense, I know, but time travel books kind of fit into several genres...

• Retellings — both fairytale and mythological — are holding their own. On the fairy tale side of things, we've got books like the Lunar Chronicles by Marissa Meyer, Jackson Pearce's fairy tale companion books (Fathomless is releasing this year), Queen of Glass by Sarah J. Maass, and Enchanted by Alethea Kontis. In terms of mythology, there's a whole subsection just for "the underworld" stories, like Meg Cabot's Abandon trilogy, the Sirenz series by Charlotte Bennardo and Natalie Zaman, the Everneath series by Brodi Ashton, and The Goddess Test series by Aimee Carter. Other mythological retellings (or stories with mythological aspects) include the Starcrossed series by Josephine Angelini, the Medusa Girls series by Tera Lynn Childs, Starling by Lesley Livington, and the Gods & Monsters series by Kelly Keaton. And there are even a few upcoming fantasy retellings of classic tales like Jane Eyre (Ironskin by Tina Connolly) and the Ugly Duckling (The Sweetest Spell by Suzanne Selfors).

On a related note, fairytale retellings seem to be popping up in TV and movies as well! Any of you who have not yet tuned into the TV show Once Upon A Time, you guys are missing out. And I haven't watched Grimm but I know that it's a CSI-style show based on the Grimm fairytales. Also, be on the lookout this year for the movies Snow White and the Huntsman (yes, it stars Kristen Stewart – but seriously, check out the cool trailer!) and Mirror Mirror (which has Julia Roberts in it, even though the trailer makes me think a lot of the comedy might not be my style). 

• Here be dragons — well, a few, anyway. Dragons are no vampires in YA, at least not yet. But there seems to be the start of a renewed interest in these fire-breathing monsters, with books like Sophie Jordan's Firelight series, Seraphina by Rachel Hartman, Incarnate by Jodi Meadows, Prophecy by Ellen Oh, and Dragonswood by Janet Lee Carey.

• Faeries are in, but elves and dwarves are not. Tolkien-esque fantasy does not yet seem to have made its way back into popularity, but faeries still hold an allure for readers. (Note the spelling there: by and large these are the unpredictable, can't-always-be-trusted "fey," not the Tinkerbell type of fairies.) Examples of upcoming faerie releases include Shadowfell by Juliet Marillier, The Treachery of Beautiful Things by Ruth Frances Long, The Wood Queen by Karen Mahoney, The Falconer by Elizabeth May, The Torn Wing by Kiki Hamilton, and Luminance Hour by Ryan Graudin.

• Thieves and assassins are stealing readers' hearts. In a way, I think this is kind of the fantasy version of the trend in historical YA for secret agents and spies. I guess there's something about the seedy underbelly of a city that draws readers in... Recent or upcoming books that fit into this category are Thief's Covenant by Ari Marmell, Mastiff by Tamora Pierce, Throne of Glass by Sarah J. Maass, Grave Mercy by R. L. LaFevers, and Liar's Moon by Elizabeth C. Bunce.

• Oddly enough, "touch" seems to be an important theme in fantasy (and paranormal) YA these days. I don't know if this is just a fluke or what, but with books like Touch of Power by Maria V. Snyder, Touched by Corrine Jackson, the A Touch trilogy by Leah Clifford, Shatter Me by Tahereh Mafi, the Clarity series by Kim Harrington, and the Curse Workers series by Holly Black...it seems like this idea is becoming popular. What do you think?

• Unusual settings (for fantasy) and PoC characters are making an appearance. I wouldn't say yet that either of these aspects are common in YA fantasy, but hopefully others will follow these authors' leads and make it happen. We're talking books such as Stormdancer by Jay Kristoff, the Wildefire series by Karsten Knight, the Daughter of Smoke & Bone series by Laini Taylor, Vessel by Sarah Beth Durst, The Chaos by Nalo Hopkinson, and Valkyrie Rising by Ingrid Paulson.

So, what are your thoughts on trends in YA fantasy? Is the "power of touch" something concrete or just coincidence? Will we keep seeing more PoC characters and different settings in the future? Will there be a return of the elves? Let me know what you see for the future of YA fantasy!

Dark of the Moon: A Panoramic Review

"Ariadne is destined to become a goddess of the moon. She leads a lonely life, filled with hours of rigorous training by stern priestesses. Her former friends no longer dare to look at her, much less speak to her. All that she has left are her mother and her beloved, misshapen brother Asterion, who must be held captive below the palace for his own safety.


So when a ship arrives one spring day, bearing a tribute of slaves from Athens, Ariadne sneaks out to meet it. These newcomers don’t know the ways of Krete; perhaps they won’t be afraid of a girl who will someday be a powerful goddess. And indeed she meets Theseus, the son of the king of Athens. Ariadne finds herself drawn to the newcomer, and soon they form a friendship—one that could perhaps become something more.

Yet Theseus is doomed to die as an offering to the Minotaur, that monster beneath the palace—unless he can kill the beast first. And that "monster" is Ariadne’s brother . . ." (from Goodreads)

Dark of the Moon by Tracy Barrett

My reaction: I found the first half more interesting, but it started to get repetitive and somewhat boring partway through. (I should note here that I've never studied the Theseus/Minotaur legend and so I'm not very familiar with it.) The story that the Cretan religious belief system is founded on (that of Velchanos and Goddess) is complex and difficult to follow in all its intricacies. While it keeps getting re-hashed and added to in detail, there isn't a lot of action or major plot points until the climactic scenes toward the end. The tone is rather dark and for much of the story the prospects of the main characters are bleak indeed, so don't go into it expecting a light or fun retelling.

The main characters Ariadne and Theseus are well-defined and multi-dimensional, but I didn't personally connect with either of them. Ariadne's acceptance of the religion and her role in the rituals irritated me at times; I'm sure it was realistic for the way she'd been brought up and the times she was living in, but I wanted to see her question and doubt the system more. However, her love for her brother was endearing; it was nice to see that she cared deeply for someone outside of herself. I can't really say the same for Theseus, who often acted out of selfish motives.

I did appreciate there is no black-and-white romance going on between Theseus and Ariadne. They share more of a tentative alliance, each by turns using the other, than anything else. While Ariadne briefly flirts with the possibility that she may have fallen for Theseus, their relationship never ventures beyond the merest beginning of a friendship.

As for other characters: Ariadne's mother Pasiphaë isn't really likable, but the relationship between Ariadne and her was quite interesting, the mother-daughter dynamic taking on an unusual tone as Pasiphaë also has the role of "mentor," so to speak, to She-Who-Will-Be-Goddess. The villains seemed a bit caricature-ish and could have been fleshed out more to make them less stereotypical.

Best aspect: I enjoyed seeing how fundamentally a belief system can affect everyday lives. The close connection between their religion and nature and the harvest made sense, and although we don't know a whole lot about ancient Cretan society, many societies in ancient times had a strong correlation between the farming schedule and their spiritual traditions (i.e. paganism). The atmosphere of ancient Greece was well-evoked, the writing painting a rich picture of life back then.

If I could change something... Well, for a book being touted as a retelling of the myth of the Minotaur...we don't actually *see* the "Minotaur" (Asterion) very much! This is unfortunate, as I thought his character had a lot to offer; the way Barrett has re-interpreted the Minotaur — as a mentally challenged and physically deformed young man, rather than the actual offspring of a bull and woman — brings into play the potential for many questions of morality and empathy. I think there's more that could have been explored with Asterion, but it's overshadowed by the complexities of the Goddess/Velchanos legend and the plot surrounding Theseus and Prokris.

Also, I was a bit iffy on how the religion is handled. Through most of it, the religion is portrayed merely as a belief system without concrete evidence — which is fine. But there's one part where this shifts and the presence of a deity is implied, though granted it is told from Ariadne's perspective. I found it difficult to accept Ariadne's belief in Goddess and her presence given that we don't really get to know Goddess' character at all. However, towards the end Ariadne herself acknowledges her uncertainty about this scene, which helps to remind the reader that this is all being filtered through Ariadne's point of view. In a way, it gives it a bit more mystery to not have the question resolved one way or another.

Read if: you like Greek legends, ethics, and characters with questionable motives. 

Final verdict: 3.5 shooting stars. I like the more realistic interpretation Barrett has taken of this legend, but I didn't really empathize that much with either of the leads and thought the complexities of the religious belief system swamped the storyline in a way. 

Disclaimer: I received this book for review from the publisher.