February 12, 2012

Raw Blue: A Close-Up Review


"Carly has dropped out of uni to spend her days surfing and her nights working as a cook in a Manly café. Surfing is the one thing she loves doing … and the only thing that helps her stop thinking about what happened two years ago at schoolies week.

And then Carly meets Ryan, a local at the break, fresh out of jail. When Ryan learns the truth, Carly has to decide. Will she let the past bury her? Or can she let go of her anger and shame, and find the courage to be happy?" (from Goodreads)

Raw Blue by Kirsty Eagar

Note: there may be some mild, general spoilers in this review for those readers completely unfamiliar with what this book's about.

Characters:


The realistic characterization is one of the most solid aspects of Raw Blue. Kirsty Eagar has a way of capturing individuals very distinctly, so that the reader is really able to visualize them within a first impression. Her characters are flawed and troubled, each carrying his/her own baggage. However, I felt the varied cast of characters was a drawback in a way, because there are so many of them that we don't get to know any of them that well, excepting the main character Carly (and I had some trouble remembering who was who). There are some introduced at the beginning, like Kylie and Georgina, who simply seem to disappear partway through, once the relationship storyline as well as Carly's psychological progress take precedence.

Carly herself feels like a very real person. She's tough on the outside but very vulnerable, guarded but scared, and mentally and emotionally damaged from her experiences. She views herself negatively and the world cynically, mistrustful of others and relying only on herself. Throughout a large part of the book she blames herself for what happened, and I think in a way she believes that she deserved it. I think deep down she's afraid to hope for the future, and seeing herself as a "bad person" helps her avoid this. Carly's reactions didn't always seem that rational to me, but we're very different in some ways. At one point I felt like shaking some sense into her and making her realize that she was shutting Ryan out when he could help her.

I wasn't as thrilled with Ryan as a character. I know some readers swoon over him, but I feel like we don't really get to know him all that well — and neither does Carly. Their relationship's uneven progression left me going, "What? Did I miss something?" because it felt like the reader gets left out of a very crucial scene, one where emotional declarations or disclosures are made. Instead we are propelled from an uncertain kind-of-friends stage to a new level of intimacy, completely passing by all the stepping-stones in the middle that I really enjoy reading about in a burgeoning romance. (We don't even get to see their first kiss! I felt totally cheated.) And he and Carly don't actually talk about much at all besides surfing and work, at least until towards the end.

The friendship between Carly and Danny is rare in a YA novel, and I think other authors could take a cue from that in breaking out of the stereotypical friendships we see permeating the genre. Danny himself is a unique character — a 15-year-old mixed-race boy with synesthesia — and the age gap and lack of any romantic interest from either of them makes their relationship stand out.

Plot/premise:

The first half of the book at least has a noticeable lack of direction — it's more the detailings of the ins and outs of Carly's daily life rather than a decisive plot. The momentum of an actual story — at least beyond the horrible memories Carly struggles with — is missing. I knew ahead of time that this book involved rape, so the "mystery" of her past at the beginning wasn't a mystery for me (although I didn't know the details). Even when she and Ryan start hanging out, there isn't a real push in terms of plot. It's only when their relationship becomes very serious, and Carly's past begins to interfere with her present chance at happiness with Ryan, that things start to pick up.

As mentioned before, there are several characters that are introduced but then never play an important role in the story. It feels like there are subplots that get left hanging, or are just forgotten about when the Carly-and-Ryan plot takes over.

Also, most of the book is quite dark. It's never stated that Carly has depression, but some of the signs are most certainly there, and things take a decided turn for the worse partway through. While Carly's emotional state is understandable and empathy-deserving, it does make for a bleak read. Through most of the book I felt apprehensive, dreading what was to come. It seems like she just keeps getting dealt one bad hand after another, and you start to wonder if things will ever get better for her. Of course, Carly does have control over some of the events that happen, and her own power to make choices proves to be, in large part, what will determine her future. We also are shown how important support is, and how friends can kind of become family without you realizing it. The ending is hopeful and feels right.

While I felt like Raw Blue doesn't really bring anything new to the table in terms of its approach to the subject of rape, it illustrates well one girl's emotional response to such an experience, and makes clear that the reaction needs to be understood and taken seriously, not made light of. Carly demonstrates how devastating and damaging that experience can be, and how long it can take for someone to start to heal emotionally. Personally I thought her realization at the end comes a little out of the blue, her psychological progression happening a bit too quickly and conveniently. She doesn't acknowledge the cognitive distortions she'd held for so long surrounding her experience, and I wanted to see more of her thought process as she began to view things more positively.

A large number of the scenes in this book take place at the beach. There's a lot of surfing lingo used and frankly I found it difficult to visualize what was actually happening. I don't surf, personally, and it wasn't often described in such a way that I felt myself experiencing the activity along with Carly. Although sometimes the conversations that happened in between were interesting, and it's made clear that surfing satisfies an important emotional need for Carly, the actual surfing usually bored me. I wish there'd been less surfing and more scenes set in the restaurant.


Writing style:

I am not generally a fan of 1st-person present tense, as it tends to feel more choppy and stilted to me, and I find it more difficult to ease into. I think it also has the tendency to make things feel like they're moving more slowly, because you're experiencing everything in the moment with that character. Raw Blue really didn't need to feel any slower, because the pacing was quite sluggish already due to the lack of action.

The Aussie flavour of the book was both a pro and a con for me. Naturally, it grounds the book in a setting, providing an authentic cultural backdrop, but on the other hand the terms were sometimes unfamiliar to me and not always clear in context.

Kirsty Eagar's ability to capture a concept, thought or emotion in a succinct moment is something to be noted. She has a wonderful knack for crystallizing an idea with a short, poetic description that is often symbolic or metaphorical in some way. These little gems are scattered throughout the novel and cause one to sit back and reflect for a minute before moving on.

The "new adult" aspect: I thought that Carly's voice matched her age, embodying that "just starting out in adulthood" kind of vibe. Content-wise, it's definitely more mature than most YA. It would have been neat to have seen a few more flashbacks/memories of her college experience, but that wasn't really the point of this book.

Final verdict: 3 shooting stars. Excellent characterization and interesting in terms of psychology, but the slow-moving pace, lack of direction, and uneven romantic storyline bumped this one down for me. While there's a lot of substance here to analyze, in terms of personal enjoyment it fell short.


This book counts for my "New Adult" Challenge, the TBR Pile Challenge, and the Just Contemporary Challenge.

Note: there is mature, explicit sexual content and coarse language in this one. I wouldn't recommend it for early/mid-teen readers.

In My Mailbox (46)

In this meme, hosted by Kristi at The Story Siren, we share the books we've received, bought or taken out from the library. This post covers the past couple weeks.

For review:

The Statistical Probability of Love at First Sight by Jennifer E. Smith - thanks to Hachette Book Group Canada!

Article 5 by Kristen Simmons — thank you, Tor Teen!

Jessica Rules the Dark Side by Beth Fantaskey — this was a complete surprise to me when it arrived! Thanks very much to Thomas Allen & Son for the unsolicited copy :)


Slated by Teri Terry — thanks so much to Hachette Children's Books UK for shipping this all the way over here!

Gifted:

Cinder by Marissa Meyer — thanks to Raincoast Books for this finished copy! I was able to take it to the author event at Chapters Metrotown yesterday and get it signed, which was awesome :)


I went to the event with one of my IRL friends who is an avid reader just like me, and it was so much fun! It was the first YA author signing I'd ever attended, so I was really excited, and Marissa was very friendly :) Definitely looking forward to going to more in the future! Apparently Tahereh Mafi is coming in March for her novel Shatter Me, so I might go to that one too...



A signed bookplate and bookmark for The Way We Fall by Megan Crewe — thanks, Megan!

From the library:


Draw the Dark by Ilsa J. Bick
Say the Word by Jeannine Garsee
Tweet Heart by Elizabeth Rudnick
The Glass Demon by Helen Grant
The Prince of Neither Here Nor There by Seán Cullen
Tell Us We're Home by Marina Budhos
Peak by Roland Smith



February 9, 2012

"Read Outside Your Comfort Zone" Winner + Getting Somewhere Giveaway! (Canada only)

I've finally drawn the winner of my "Read Outside Your Comfort Zone" Challenge giveaway, and Random.org chose...



Congratulations, Stephanie! You'll get your choice of a book from the Book Depository worth up to $15 CAD.

And now for another giveaway... thanks to the author, I have a hardcover of Beth Neff's Getting Somewhere for a lucky reader to win! Sorry, international readers, but I'm going to have to restrict it to Canadian addresses only this time.

Here's a bit more about the book (you'll likely see it featured later on this year in my Psychtember event!):


"Four girls: dealer, junkie, recluse, thief.

Sarah, Jenna, Lauren, and Cassie may look like ordinary girls, but they’re not. They’re delinquents whose lives collide when they’re sent to an experimental juvenile detention program on a farm in the middle of nowhere. As the girls face up to the crimes they committed, three of them will heal the wounds of their pasts and discover strengths they never dreamed they had. And one, driven by a deep secret of her own, will seek to destroy everything they’ve all worked so hard for." (from Goodreads)


The rules:

- Entrants must be 13 years or older.
- Open ONLY to Canadian mailing addresses
- One entry per person
- Following and tweeting are not necessary but always appreciated!
- Ends Feb. 23, at 11:59 pm EST.
- Winner will be selected randomly and contacted by e-mail

This contest is now closed.


February 8, 2012

Rants & Raves: Authors, Ground Your Stories, PLEASE.

This is a new feature that will appear sporadically on the blog, whenever I have a bookish issue I need to rant or rave about. Feel free to comment with your thoughts!
 
Creativity is valued by those in the writing world — and rightfully so. The "muse" is all-important in guiding a story through to its best form. And no one wants to read a book that sounds like every other fill-in-the-blank book out there.

So agents, editors, and publishers are constantly looking for that fresh, original, next Big Thing. And authors are constantly trying to write what the publishers are looking for.

And I've noticed that in this quest, something seems to get lost along the way sometimes: authenticity. Authors are so eager to get that winning premise, that undeniable hook, that crazy new idea no one's yet written a book about...that they forget the reader's needs in all their excitement.

Because yes, readers want creative too, but: they also want rational. And they want different, but: they also want familiar. Your story has to MAKE SENSE — even if it's just an internal, within-the-confines-of-that-world sense that, for instance, Alice's Adventures in Wonderland has. And it has to speak to something that the reader can identify with. Readers need to relate on some level.


Even the Cheshire Cat displayed logic...of a sort.


So whether your book involves genetic mutations or a new virus or brainwashing or what-have-you, base it on actual scientific research as much as possible. (Sorry, sci-fi/dystopian writers: I'm picking on you in particular because that seems to be a continual problem in your genre these days in YA.) Yes, you're a writer, but you can't make everything up or nothing you write will be believable. It's called "make-believe" for a reason: your job is to MAKE the reader BELIEVE. That's not going to happen if you don't base your story on reality in some way.

Otherwise, you'll get dissatisfied readers looking like this:


And if your story takes place in a unique world with a whole new set of rules, give us characters we can connect with. Individuals who, despite the vast differences between the world you've created and ours, find themselves in situations and predicaments that, in one way or another, we too find ourselves in. People who share our values, principles, beliefs, and goals. Characters we'll care about.

Because, let's face it: if you're writing a fantasy/sci-fi novel and your world-building's shaky, the reader needs to be engaged with the characters. And even if you have stellar world-building, if the reader's not feeling invested in the story, the odds that they will finish your book start to drop dramatically.

So, to sum up: authors, please ground your stories in worlds and ideas we can believe and characters we can become. And then, whether or not you have tapped into the next Big Thing, your story will feel real.

Which, to the reader, is what's truly important.


February 7, 2012

Heads-Up: Strange Chemistry News and Jodi Picoult Sweepstakes!

First piece of news:

You've probably already heard about Strange Chemistry, the YA imprint of Angry Robot, and its new book deals...but if not, here are the details! They've officially signed on the following three authors and titles so far:

Kim Curran and her novel Shift:

"When your average, 16-year old loser, Scott Tyler, meets the beautiful and mysterious Aubrey Jones, he learns he’s not quite so average after all. He’s a ‘Shifter’. And that means he has the power to undo any decision he’s ever made. At first, he thinks the power to shift is pretty cool. But as his world quickly starts to unravel around him he realises that each time he uses his power, it has consequences; terrible unforeseen consequences. Shifting is going to get him killed. In a world where everything can change with a thought, Scott has to decide where he stands."

This premise kind of reminds me of The Power of Un by Nancy Etchemendy. Sounds like it has the potential to be thought-provoking and philosophical with the whole 'butterfly effect' concept.

Sean Cummings and his novel Poltergeeks:

"Julie is an apprentice witch – or so she believes. When a dark power comes stalking out of the past to haunt her and her mother, Julie learns that she is far more than just a witch. With the help of her best friend Marcus and a rather unusual Great Dane, Julie has to race against time to ensure she can defeat the bad guy, save her mother and avoid being grounded – again!"

Witches definitely seem to be coming into style again in YA!

Gwenda Bond and her novel Blackwood:

"On Roanoke Island, the legend of the 114 people who mysteriously vanished from the Lost Colony hundreds of years ago is just an outdoor drama for the tourists, a story people tell. But when the island faces the sudden disappearance of 114 people now, an unlikely pair of 17-year-olds may be the only hope of bringing them back.

Miranda, a misfit girl from the island’s most infamous family, and Phillips, an exiled teen criminal who hears the voices of the dead, must dodge everyone from federal agents to long-dead alchemists as they work to uncover the secrets of the new Lost Colony. The one thing they can’t dodge is each other.

Blackwood is a dark, witty coming of age story that combines America’s oldest mystery with a thoroughly contemporary romance."

The mystery of Roanoke Island has always been one of those cool, unexplained events of history. I'm interested to see how it's tied into a contemporary mystery!

Also, for all of you aspiring-to-be-published writers out there: Strange Chemistry is holding an Open Door period from April 16 - 30. This means that they are accepting unagented submissions between these dates! For all the details check out: http://strangechemistrybooks.com/opendoor/

Second piece of news:

Simon & Schuster Canada is holding another Jodi Picoult sweepstakes! This time it's to celebrate the release of her upcoming book, Lone Wolf. There are 5 prizes: 2 are for Greater Toronto Area residents — a chance to meet Jodi Picoult personally before her launch, tickets to the event itself and a collection of all her books! — and the other 3 are for a complete set of her books including a signed copy of Lone Wolf.

If you'd like to enter, go here: http://www.simonandschuster.ca/sweepstakes/lone-wolf-sweeps.

Good luck!

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