The Winner's Crime by Marie Rutkoski
I polished this one off in just a couple days. It's quite
readable and compelling, despite the fact that for most of the book I
just wanted to shake some sense into the two main leads and get them to
TALK to each other and get everything out into the open. Of course, if
they'd done that, the book would have been a whole lot shorter, but I
did feel that all the drama between the two of them was kinda
trumped-up, due to Kestrel's insistence not to tell Arin the truth, and
Arin's (willful?) obtuseness in ignoring what seemed (at least to me,
the reader) to be rather blatantly obvious (
spoilers, highlight to read:
the reason behind Kestrel's engagement to the prince, and also
Kestrel's suggestion to poison the horses instead of burning the eastern
plains).
This
idiotic behaviour not only caused major problems for their
relationship/whatever-you-want-to-call-it, but it also impacted the
other stuff going on in the plot. Whereas the first book in the series
had a fair bit of action, this one involves less action and more
intrigue/secrecy. Unfortunately, as sequels are often wont to do, I felt
that this book did not have the same kind of internal story arc that
the first did. The plot had less direction and momentum, and there was a
chunk in the middle that lagged. It felt sort of like the relationship
drama was being used to stretch things out from book 1 to book 3. Of
course, along the way we met some new characters and some more plot
points happened, but a lot of the difficulties encountered probably
could have been avoided if Arin and Kestrel had just sat down and had a
long talk.
I also found the writing overused metaphors, and as
with the first book, could have provided more description of settings
and characters to help me visualize them.
Despite these
complaints, I quite enjoyed it! Kestrel and Arin both make mistakes and
pay for them, and yet you root for them all the same. The transformation
in how Arin views Kestrel as the book progresses is striking (
spoiler: he becomes very bitter towards her).
Kestrel's gradual change in attitude/perspective regarding slavery,
war, and military might that began in the first book progresses in book
two, in a way that feels quite organic, rather than being rushed. Her
relationship with her father is complicated (boy, is it ever!) and is
something I hope book three will delve into more.
